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Tombstone motifs appear in his etchings of the 1960's and from the beginning of the 1970's he started to exhibit cemetery photographs and integrated them into concept-art pieces.
His attraction to funerary sculpture was not solely based on their aesthetic qualities but also his interest in the local history of ideas and social history.
The really interesting ones were not invented in the sculptor's studio but by the client. They make visible the possible avenues of research this subject offers in various fields such as ethnography, art history and the history of ideas.
In certain times, only an artist could undertake the task of making visible these possibilities.